Comments

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There's a whole lotta wall of text on this one

English Caption

1
00:00:00,000 --> 00:00:02,700
ใ€ŠNotesใ€‹
Here I'll write about what I was thinking while making this.
The basic composition seems to be influenced by
'A Hard Day's Night'
'Harry Potter Part 1'
and others.

2
00:00:02,700 --> 00:00:05,200
ใ€ŠDescriptionใ€‹
Peeks in from the side and looks around.
ใ€ŠNotesใ€‹
Here I'll write about what I was thinking while making this.
The basic composition seems to be influenced by
'A Hard Day's Night'
'Harry Potter Part 1'
and others.

3
00:00:05,200 --> 00:00:07,700
ใ€ŠDescriptionใ€‹
Teto coming with a bag.

ใ€ŠNotesใ€‹
The MV was created by Asatsuki Mio.
Blender, a different 3D software from what I explained earlier, was used.
Let me give a brief explanation.

4
00:00:07,700 --> 00:00:09,834
ใ€ŠDescriptionใ€‹
Checking the seat location

ใ€ŠNotesใ€‹
The MV was created by Asatsuki Mio.
Blender, a different 3D software from what I explained earlier, was used.
Let me give a brief explanation.

5
00:00:09,834 --> 00:00:12,334
ใ€ŠDescriptionใ€‹
Placing the bag on the overhead shelf

ใ€ŠNotesใ€‹
Animation Production Process

The train interior and Teto's motions are created in Blender.
Based on that, illustrations are drawn and made into animation.

6
00:00:12,334 --> 00:00:17,834
ใ€ŠDescriptionใ€‹
Looking out the window, or opening it.
ใ€ŠNotesใ€‹
Animation Production Process

The train interior and Teto's motions are created in Blender.
Based on that, illustrations are drawn and made into animation.

7
00:00:17,834 --> 00:00:19,800
ใ€ŠDescriptionใ€‹
I want to insert a fitting cut.
ใ€ŠNotesใ€‹
A vague request, 'a fitting cut.'
Thank you for turning it into a wonderful scene.

8
00:00:19,800 --> 00:00:29,718
ใ€ŠDescriptionใ€‹
Teto gazing out the window and moving to the beat.
The closest image I had in mind was Lo-Fi Girl.

ใ€ŠNotesใ€‹
What is Lo-Fi Girl?
She is the girl from a channel that streams Lo-Fi Hip Hop 24/7.
The original loops her writing in a notebook, but here Teto keeps the beat with her hand.

9
00:00:29,718 --> 00:00:35,900
ใ€ŠDescriptionใ€‹
Teto gazing out the window and moving to the beat.
The closest image I had in mind was Lo-Fi Girl.
ใ€ŠNotesใ€‹
The footage seen from the window was filmed on an actual bullet train.
Glad it was a day with beautiful clouds.

10
00:00:35,900 --> 00:00:39,300
ใ€ŠDescriptionใ€‹
Another Teto appears from the opposite direction (UTAU version)

ใ€ŠNotesใ€‹
The footage seen from the window was filmed on an actual bullet train.
Glad it was a day with beautiful clouds.

11
00:00:39,300 --> 00:00:41,334
ใ€ŠDescriptionใ€‹
Cheerful chattering

ใ€ŠNotesใ€‹
The lyrics are not necessarily limited to Kasane Teto.
But to create a scene of talking with a past self or another version of oneself, I made it a dialogue between UTAU Teto and SV Teto.

12
00:00:41,334 --> 00:00:44,000
ใ€ŠDescriptionใ€‹
Bad reaction

ใ€ŠNotesใ€‹
The lyrics are not necessarily limited to Kasane Teto.
But to create a scene of talking with a past self or another version of oneself, I made it a dialogue between UTAU Teto and SV Teto.

13
00:00:44,000 --> 00:00:45,467
ใ€ŠDescriptionใ€‹
Talking more desperately

ใ€ŠNotesใ€‹
The lyrics are not necessarily limited to Kasane Teto.
But to create a scene of talking with a past self or another version of oneself, I made it a dialogue between UTAU Teto and SV Teto.

14
00:00:45,467 --> 00:00:46,967
ใ€ŠDescriptionใ€‹
Bad reaction

ใ€ŠNotesใ€‹
The lyrics are not necessarily limited to Kasane Teto.
But to create a scene of talking with a past self or another version of oneself, I made it a dialogue between UTAU Teto and SV Teto.

15
00:00:46,967 --> 00:00:48,200
ใ€ŠDescriptionใ€‹
Hanging the head and covering the face

ใ€ŠNotesใ€‹
The lyrics are not necessarily limited to Kasane Teto.
But to create a scene of talking with a past self or another version of oneself, I made it a dialogue between UTAU Teto and SV Teto.

16
00:00:48,200 --> 00:00:49,000
ใ€ŠDescriptionใ€‹
Hanging the head and covering the face
background getting darker

ใ€ŠNotesใ€‹
The lyrics are not necessarily limited to Kasane Teto.
But to create a scene of talking with a past self or another version of oneself, I made it a dialogue between UTAU Teto and SV Teto.

17
00:00:49,000 --> 00:00:50,967
ใ€ŠDescriptionใ€‹
Hanging the head and covering the face
background getting darker

ใ€ŠNotesใ€‹
This is the scene used for the thumbnail.
When I made the 3D demo, I never imagined this scene would turn into such a wonderful animation.

18
00:00:50,967 --> 00:00:59,167
ใ€ŠDescriptionใ€‹
Looks up to find no one across

ใ€ŠNotesใ€‹
This is the most beautiful window view from all the footage I filmed.
The effect of UTAU Teto disappearing was inspired by various works, but the one that comes to mind now is the Mr. Bean movie.
I recently lost a memo of scenes that hit me from various films.

19
00:00:59,167 --> 00:01:05,697
ใ€ŠDescriptionใ€‹
A cut from outside the window

ใ€ŠNotesใ€‹
The camera angle was adjusted upward.
The faint shadows of utility poles and such are a wonderful detail.

โ€ป Some space was left over.
I'll attach the image sent when requesting the jacket art.

20
00:01:05,697 --> 00:01:10,467
ใ€ŠDescriptionใ€‹
A cut from outside the window

ใ€ŠNotesใ€‹
The camera angle was adjusted upward.
The faint shadows of utility poles and such are a wonderful detail.

โ€ป Some space was left over.
I'll attach the image sent when requesting the jacket art.
(Incredible)

21
00:01:10,467 --> 00:01:17,567
ใ€ŠDescriptionใ€‹
A cut from inside the train
(I think there could be a better cut)

ใ€ŠNotesใ€‹
No specific idea comes to mind.
At Asatsuki Mio's suggestion, it became a scene of fixing Teto's hair.
A great scene that feels gloomy and serves as a lead-up to the hair-cutting that follows.

22
00:01:17,567 --> 00:01:19,300
ใ€ŠDescriptionใ€‹
Close-up of the face with only the eyes moving, etc.

ใ€ŠNotesใ€‹
No specific idea comes to mind.
At Asatsuki Mio's suggestion, it became a scene of fixing Teto's hair.
A great scene that feels gloomy and serves as a lead-up to the hair-cutting that follows.

23
00:01:19,300 --> 00:01:29,034
ใ€ŠDescriptionใ€‹
Lo-Fi Girl vibes again

ใ€ŠNotesใ€‹
At first, I also suggested changing the scenery to night.
However,
ยท The light coming through is beautiful
ยท Night footage only exists for Egypt
So it stays daytime in this MV.

24
00:01:29,034 --> 00:01:38,967
ใ€ŠDescriptionใ€‹
Lo-Fi Girl vibes again

ใ€ŠNotesใ€‹
About the screen size
As shown in the 3D demo, I originally planned for 16:9.
However, I changed it to 4:3 due to the overall noise texture and how well it fits the frame.

25
00:01:38,967 --> 00:01:41,300
ใ€ŠDescriptionใ€‹
Close-up near the knees

ใ€ŠNotesใ€‹
This is the ending.
Following the lyric 'Cut my hair and face forward,' Teto cuts the hair.
In the previous work, it was UTAU Teto who cut the hair.

26
00:01:41,300 --> 00:01:43,667
ใ€ŠDescriptionใ€‹
Close-up near the knees
A depiction of the cut hair falling.

ใ€ŠNotesใ€‹
This is the ending.
Following the lyric 'Cut my hair and face forward,' Teto cuts the hair.
In the previous work, it was UTAU Teto who cut the hair.

27
00:01:43,667 --> 00:01:48,800
ใ€ŠDescriptionใ€‹
Close-up of a hand moving to the beat.

ใ€ŠNotesใ€‹
This is the ending.
Following the lyric 'Cut my hair and face forward,' Teto cuts the hair.
In the previous work, it was UTAU Teto who cut the hair.

28
00:01:48,800 --> 00:01:53,700
ใ€ŠDescriptionใ€‹
The empty seat across

ใ€ŠNotesใ€‹
Thank you for listening to 'Window View.'
Asatsuki Mio, who created the MV
The kind people from various countries who helped with translation
Everyone who watched and commented
Kasane Teto, with a long history and room for interpretation
Thanks to everyone, I was able to bring what was in my head to life.

29
00:01:53,700 --> 00:01:58,800
ใ€ŠDescriptionใ€‹
Close-up of a hand moving to the beat.

ใ€ŠNotesใ€‹
Thank you for listening to 'Window View.'
Asatsuki Mio, who created the MV
The kind people from various countries who helped with translation
Everyone who watched and commented
Kasane Teto, with a long history and room for interpretation
Thanks to everyone, I was able to bring what was in my head to life.

30
00:01:58,800 --> 00:02:03,457
ใ€ŠDescriptionใ€‹
Credits

ใ€ŠNotesใ€‹
Unused materials

31
00:02:03,457 --> 00:02:08,500
ใ€ŠDescriptionใ€‹
Credits

ใ€ŠNotesใ€‹
Unused materials
I stock footage like this that might come in handy someday.

32
00:02:08,500 --> 00:02:17,600
ใ€ŠDescriptionใ€‹
Credits

ใ€ŠNotesใ€‹
Unused materials

33
00:02:17,600 --> 00:02:23,233
ใ€ŠDescriptionใ€‹
Teto looking up
Both drill twin tails are being cut here

ใ€ŠNotesใ€‹
Thank you.
If you have any questions, feel free to reach out via comments, replies, or DM.

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The video is 4 min long but the 2 section is placed just right for me to trim it into 2 section so there's that. Anyway here's the subtitle

English Captions

1
00:00:00,000 --> 00:00:04,713
Nylon guitar. Faster tempo, higher pitch.

2
00:00:04,713 --> 00:00:09,900
Layering various percussion. Still bossa nova so far.

3
00:00:09,900 --> 00:00:14,912
Adding a danceable rhythm. Better combo than expected.

4
00:00:14,912 --> 00:00:19,767
Cool bass. The basic form of 'Window View' is now complete.

5
00:00:20,800 --> 00:00:23,200
Adding sounds to fill the space.

6
00:00:23,200 --> 00:00:25,600
Adding underwater-like sounds. I love the tremolo effect.

7
00:00:25,600 --> 00:00:28,000
I love music boxes too. Adding one in.

8
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All sounds mixed together.

9
00:00:31,534 --> 00:00:34,200
Upper harmony

10
00:00:34,200 --> 00:00:39,467
Lower harmony

11
00:00:39,467 --> 00:00:41,551
"Cut my hair and face forward."

12
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Window View ft. Kasane Teto SV
Production Log

13
00:00:53,867 --> 00:00:55,500
How to Make a 3D Demo

14
00:00:55,500 --> 00:01:03,200
I made the demo using Unreal Engine.
A generous software that's free until you earn $1 million in revenue.

15
00:01:03,200 --> 00:01:13,234
It's originally software for making games, but I used the in-game movie feature to create this video.

16
00:01:13,234 --> 00:01:18,134
UTAU Teto and SV Teto models are borrowed from VRoid-distributed models.
The models used are listed in the description.

17
00:01:18,134 --> 00:01:23,038
I set up the models to move inside Unreal Engine.
Honestly, I'm not an expert. Try searching 'VRoid UE' for more info.

18
00:01:23,038 --> 00:01:32,934
The train is based on a retro steam train asset.
I removed unnecessary parts and changed the sizes.

19
00:01:32,934 --> 00:01:42,771
I set up multiple cameras and switched between them.

20
00:01:42,771 --> 00:01:52,667
Screen capturing instead of rendering.
Added descriptions to each scene in Premiere Pro.
It's done!

21
00:01:52,667 --> 00:01:54,700
Demo vs. Final Comparison

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will4bsolute said in comment #2593834:

Nowadays it's easy to say that everything is done by AI.

Paranoia is something, indeed, but training your eye, being familiar with art and AI generated pictures and not be blinded by asses are the keys to spot the artifacts and details.
The hairband pattern is inconsistent here, the flower buttons are poorly generated and hold some fabric that are already blended. Finally the strands of hair on her neck make no sense. I think Shexyo has some control over what he does, hence making it harder to spot mistakes.
Sometimes, there's no effort done in order to hide AI mistakes, like post #11067054 featuring a terrible mess on the top left corner.
Advice: Look for the ears, hair, hands and jewelry.
Anyway, I was disappointed when I noticed his work was AI generated (at least partially). Anyone can be fooled.

[hidden]

Walzy said in comment #2596835:

Paranoia is something, indeed, but training your eye, being familiar with art and AI generated pictures and not be blinded by asses are the keys to spot the artifacts and details.
The hairband pattern is inconsistent here, the flower buttons are poorly generated and hold some fabric that are already blended. Finally the strands of hair on her neck make no sense. I think Shexyo has some control over what he does, hence making it harder to spot mistakes.
Sometimes, there's no effort done in order to hide AI mistakes, like post #11067054 featuring a terrible mess on the top left corner.
Advice: Look for the ears, hair, hands and jewelry.
Anyway, I was disappointed when I noticed his work was AI generated (at least partially). Anyone can be fooled.

I just came to a realization, the fact Shexyo actually knows how to draw and that being the reason these works aren't as chaotic as many others can be for using AI, it almost feels like what hes doing is generating these pieces and just patching up some minor stuff when you would expect it to be the other way around

We've got to a point in which you might as well call the AI-Assisted artworks as Artist-Assisted AIworks

[hidden]

Walzy said in comment #2596835:

Paranoia is something, indeed, but training your eye, being familiar with art and AI generated pictures and not be blinded by asses are the keys to spot the artifacts and details.
The hairband pattern is inconsistent here, the flower buttons are poorly generated and hold some fabric that are already blended. Finally the strands of hair on her neck make no sense. I think Shexyo has some control over what he does, hence making it harder to spot mistakes.
Sometimes, there's no effort done in order to hide AI mistakes, like post #11067054 featuring a terrible mess on the top left corner.
Advice: Look for the ears, hair, hands and jewelry.
Anyway, I was disappointed when I noticed his work was AI generated (at least partially). Anyone can be fooled.

It could have just been human mistake, your assuming AI error without any proof.

Show 6 more comments
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So, if I understand the composition of this, Noa's legs are the ones on the outside, and the ones between them are Sensei's, with the rest of his body hidden both underneath her and beneath the sheets behind her. Did I get it right?

[hidden]

MarqFJA87 said in comment #2568327:

So, if I understand the composition of this, Noa's legs are the ones on the outside, and the ones between them are Sensei's, with the rest of his body hidden both underneath her and beneath the sheets behind her. Did I get it right?

Unless it's translated, I think it's futanari.

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Incineration said in comment #2597847:

This really isn't something that should be uploaded here.
Uploading the cards themselves is already borderline, but this is the equivalent of uploading a scan of magazine page just because it contained one artwotk.

No it isn't. Both of the images are pretty much the only things there. There's nothing wrong with uploading the cards, either. They might not be the most ideal, but they're probably the best ones we can get, and it's not like they're extremely low-res or blurry.

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