音符 演奏記号

Used when a character is singing or carefree. Can also be used to cover musical notes in the background or on objects. Covers all musical notation symbols beyond just notes.

Tagged notes (beamed, rest and dotted)

• whole note (𝅝)
• whole rest (𝄻)
• half note (𝅗𝅥)
• half rest (𝄼)
• dotted half note
• quarter note (♩)
• quarter rest (𝄽)
• dotted quarter note
• eighth note (♪)
• beamed eighth notes (♫)
• eighth rest (𝄾)
• dotted eighth note
• sixteenth note (𝅘𝅥𝅯)
• beamed sixteenth notes (♬)
• sixteenth rest (𝄿)
• dotted sixteenth note
• thirty-second note
• beamed thirty-second notes
• thirty-second rest
• dotted thirty-second note
• sixty-fourth note
• beamed sixty-fourth notes (two or more 64th notes)
• ghost note (a note of any length with no discernable pitch)
• grace note

Although there are notes beyond the 64th note, it isn't necessary to tag them here.

Tagged other musical notation

Accidentals

• flat sign (♭, one semitone lower pitch)
• double flat sign (two semitones lower pitch)
• natural sign (♮, cancels previous accidental)
• sharp sign (♯, one semitone higher pitch)

Articulation marks

• accent mark (>)
• fermata (𝄐)
• marcato (∧)
• staccato
• tenuto

Clefs

• bass clef (𝄢)
• treble clef (𝄞)

Dynamics

• forte
• fortissimo
• piano

Miscellaneous

• coda sign
• segno sign
• sheet music
• simile mark
• musical staff (𝄚𝄚𝄚𝄚𝄚)
• time signature

See also

• musical note hair ornament
• spoken musical note
• Tag Group:Symbols

External links

• Wikipedia: Musical note
• Wikipedia: Accidental (music)
• Wikipedia: Articulation (music)
• Wikipedia: Clef
• Wikipedia: Dynamics (music)
• Wikipedia: List of Musical Symbols

The following tags are aliased to this tag: music_note, music_notes, and musical_notes (learn more).

The following tags implicate this tag: beamed_eighth_notes, beamed_sixteenth_notes, beamed_thirty-second_notes, eighth_note, half_note, musical_note_hair_ornament, musical_note_print, quarter_note, sixteenth_note, spoken_musical_note, thirty-second_note, and whole_note (learn more).

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